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[re]IGNITE TUE 17 OCT, 2017 6pm Reception 7pm Performances featuring performance art by Máiréad Delaney Miao Jiaxin Roberto + Aram Han Sifuentes and a special announcement by Joseph Ravens and Michael Zhou |
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Join Defibrillator in celebrating the Zhou B Art Center’s 13th Anniversary with an evening of performance art featuring a powerful combination of artists who are known for their outstanding contributions to contemporary performance practices and their meaningful voices within global dialogues about Performance Art.
[re]IGNITE includes a special announcement by Michael Zhou, Executive Director of Zhou B Art Center, and Joseph Ravens, Founder and Executive Director of Defibrillator Gallery, a.k.a. DFBRL8R.
Máiréad Delaney is an Irish-American artist working transatlantically in performance and installation. She explores how gendered bodies respond to the unleashing of systemic violence. Delaney studied at the postgraduate level in Ireland, working with the Irish women’s collective Survivors of Symphysiotomy. Delaney has exhibited internationally, in New York, Ireland and the UK, and Ethiopia. She has presented work in the 2015 Dublin Live Art Festival and BIPAF, at the Queen’s Museum, Grace Exhibition Space, Panoply Performance Laboratory, for Dublin’s Livestock and with Dublin-based collective Pre-form and Bbeyond at the Ulster Museum in Belfast. She has also made a series of public performances entitled ‘Hold Harmless,’ outside the National Maternity Hospital and the Four Courts in Dublin.
Miao Jiaxin began in Shanghai, where his photography works expressed the universal theme of urban angst, Miao then immigrated to New York, expanding his view of urban streets towards a more conceptual public stage. Among his performative practices across different media, Miao has blended his naked body into the bleak streets of a midnight New York City, traveled inside a suitcase hauled by his mother through urban crowds, made live-feed erotic performances on an interactive pornographic broadcasting website, and dressed as a Chinese businessman for an entire year when working towards his MFA at School of the Art Institute of Chicago. More lately, he converted his New York studio into a jail and charged $1 per night as accommodation on Airbnb and Facebook. Miao's works often express the ambivalent and sometimes antagonistic tension that always exists between the individual and governing or cultural authorities, questioning assumptions about power in relation to identity politics. He posits the artist's nature as one who transgresses boundaries, challenges consensus, and stays distance from authorities.
Roberto Sifuentes + Aram Han Sifuentes are husband and wife artistic powerhouses. A founding member of the performance group La Pocha Nostra, Roberto has collaborated and performed with Guillermo Gómez-Peña and other Pocha Nostra artists throughout the United States, Europe and Latin America. Sifuentes is currently Acting Chair and Associate Professor of Performance at the School of the Art Institute of Chicago. Aram uses a needle and thread as her tools to examine immigration, citizenship, race and craft, drawing on both personal experiences and shared cultural identity. Her work has been exhibited and performed at the Whitney Museum of American Art; Museum of Contemporary Art, Chicago; Jane Addams Hull-House Museum; Elmhurst Art Museum; Chicago Cultural Center; Wing Luke Museum of Asian Pacific American Experience, Seattle, Washington; and Chung Young Yang Embroidery Museum in Seoul, South Korea, among others.
[re]IGNITE includes a special announcement by Michael Zhou, Executive Director of Zhou B Art Center, and Joseph Ravens, Founder and Executive Director of Defibrillator Gallery, a.k.a. DFBRL8R.
Máiréad Delaney is an Irish-American artist working transatlantically in performance and installation. She explores how gendered bodies respond to the unleashing of systemic violence. Delaney studied at the postgraduate level in Ireland, working with the Irish women’s collective Survivors of Symphysiotomy. Delaney has exhibited internationally, in New York, Ireland and the UK, and Ethiopia. She has presented work in the 2015 Dublin Live Art Festival and BIPAF, at the Queen’s Museum, Grace Exhibition Space, Panoply Performance Laboratory, for Dublin’s Livestock and with Dublin-based collective Pre-form and Bbeyond at the Ulster Museum in Belfast. She has also made a series of public performances entitled ‘Hold Harmless,’ outside the National Maternity Hospital and the Four Courts in Dublin.
Miao Jiaxin began in Shanghai, where his photography works expressed the universal theme of urban angst, Miao then immigrated to New York, expanding his view of urban streets towards a more conceptual public stage. Among his performative practices across different media, Miao has blended his naked body into the bleak streets of a midnight New York City, traveled inside a suitcase hauled by his mother through urban crowds, made live-feed erotic performances on an interactive pornographic broadcasting website, and dressed as a Chinese businessman for an entire year when working towards his MFA at School of the Art Institute of Chicago. More lately, he converted his New York studio into a jail and charged $1 per night as accommodation on Airbnb and Facebook. Miao's works often express the ambivalent and sometimes antagonistic tension that always exists between the individual and governing or cultural authorities, questioning assumptions about power in relation to identity politics. He posits the artist's nature as one who transgresses boundaries, challenges consensus, and stays distance from authorities.
Roberto Sifuentes + Aram Han Sifuentes are husband and wife artistic powerhouses. A founding member of the performance group La Pocha Nostra, Roberto has collaborated and performed with Guillermo Gómez-Peña and other Pocha Nostra artists throughout the United States, Europe and Latin America. Sifuentes is currently Acting Chair and Associate Professor of Performance at the School of the Art Institute of Chicago. Aram uses a needle and thread as her tools to examine immigration, citizenship, race and craft, drawing on both personal experiences and shared cultural identity. Her work has been exhibited and performed at the Whitney Museum of American Art; Museum of Contemporary Art, Chicago; Jane Addams Hull-House Museum; Elmhurst Art Museum; Chicago Cultural Center; Wing Luke Museum of Asian Pacific American Experience, Seattle, Washington; and Chung Young Yang Embroidery Museum in Seoul, South Korea, among others.